Lacanian theory could have restricted discussions about art?
DOI:
https://doi.org/10.31683/stylus.vi40.492Keywords:
Lacan, object, SurrealismAbstract
The objective of this paper is to discuss Jacques Lacan’s conception of the object, assuming that the concept has undergone important changes in the course of theory – especially since the early 1960s – a fact that limited, in a way, the discus- sions that link art and psychoanalysis , in particular with regard to contemporary art. Thus, it is assumed that the return of Lacan’s main influences to the surrealist way of treating / thinking about objects may be one of the possible means for the continuity of aesthetic debates.
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LACAN, J. (1957-58). Le séminaire, livre 5 : Les formations de l’inconscient. Paris : Seuil, 1998.
_________ (1959-60). Le séminaire, livre 7 : L’éthique de la psychanalyse. Paris : Seuil, 1986.
_________ (1960-61). Le séminaire, livre 8 : Le transfert. Paris : Seuil, 1991.
_________ (1961-62). Le séminaire, livre 9 : L’identification, inédit.
_________ (1962-63). Le séminaire, livre 10 : L’angoisse. Paris : Seuil, 2004.
_________ (1975-76). Le séminaire, livre 23 : Le sinthome. Paris : Seuil, 2005.
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